Recommendation of achievements of School of Literature and Journalism of Sichuan University（2020.1.1-2022.10.11)

From the beginning of 2020 to the present, the College of Literature and Journalism has published more than 180 monographs. We have selected five books, "Comparative Literature variation", "The Chronicle of Modern Chinese novels", "The notes on The Language Chan of Shimen" and "Agnes Heller's selected works" and "Agnes Heller's selected works".

Authors: Cao Shunqing, Wang Chao, etc.

Press:The Commercial Press

Published in September 2021

Since it was put forward in 2005, The variation theory of comparative literature has been deeply reviewed by famous scholars such as professor David Dammsch from Harvard University, Professor Haun Saussy from University of Chicago ,Professoe Bernard Franco from University of France Sorbonne and so on.

The Variation Theory of Comparative Literature comprehensively combs the research status at home and abroad, and is divided into two parts: the first, second and third chapters analyze the academic background, philosophical basis and innovation path of variability from the external aspects of the subject; the fourth, fifth and sixth chapters analyze the theoretical connotation, extension boundary and practical methods of variability from within the subject. The main innovations are as follows: the fifth chapter combs out the four rules of literary variation, which is the effective net response to the "degree" of variation; the first section of chapter VI "spread variation" is divided into translation variation, transmission variation and acceptance variation; the second section "interpretation variation" is divided into dislocation interpretation variation, counterposition interpretation variation and shift interpretation variation. The third section "structural variation" is divided into literary structure variation, literary theory structure variation and cultural structure variation, these nine branches constitute the practical discourse system of variability.

Author: Chen Siguang

Press: Wuhan Press

Published in October 2021

This book is a collection of novels published in China from February 15, 1922 to September 30, 1949, and the chronicle novel history of related reviews and advertisements.

A total of three volumes, taking modern novels as the connection point, through the comprehensive exploration of the ecological historical materials of novel creation, the creation and occurrence of historical materials, the creation and dissemination of historical materials, the binding historical materials and other hand materials, as well as the evaluation of novel ideology and art, to construct a panoramic view of the development of modern novels, which is sufficient to return to the scene, in line with the historical logic and order of modern novels, and win with depth and detail.

Author: (song) Huihong / Zhou Yukai Check and annotated

Press：Shanghai Ancient Books Publishing House

Published in September 2021

The notes on The Language Chan of Shimen, which integrates meaning, textual research and grammar, is a representative works by Professor Zhou Yukai for decades to study Huihong and Zen Buddhism, which contains a unique academic concept and represents a new height of collection literature and Zen literature collation in China. The collation reflects Professor Zhou's profound academic power, the note is not only the crystallization of the systematic study of Huihong and Zen literature, but also the comprehensive summary of Professor Zhou's long-term study of Tang and Song poetry and Zen literature, taking Huihong's works as the "point", the Tang and Song poetry as the "face", the Chinese poetics tradition as the "line", the combination of points and lines and the series of points and lines. Although Shimen character Zen School Note is a kind of basic literature collation, its academic value, academic concept and its true grasp of Chinese traditional poetics and traditional culture are far from the simple collation of ancient books. The academic level and academic methods reached by it are of great significance to the arrangement of ancient books at present. The notes on words, sentences and allusions in Shimen Zen School Notes, taking Su Shi, Huang Tingjian and du Shi and Song notes of Huihong's contemporaries as the core documents, implement the notes to "small" instead of casting a net on "Da", which can especially reveal the feelings of writing by the ancients and is the correct way to note ancient books.

《石门文字禅校注》之注释，达到了当下集部文献整理的高水准，这得益于周裕锴教授对北宋士人群体、唐宋诗歌、禅宗史实“深入骨髓”的理解。这种高水准表现为对诗文义法的大量揭示、史实文辞的梳理辨析、禅宗俗约的总结提挈等诸多方面。如对诗文义法的揭示，是将中国诗话、诗论中的批评观念应用于具体诗作、诗句的校注之中，从而使得注释包含有丰富的诗学理论；又如注释中多用“此化用其意”“此借用其语”指明惠洪诗句之承袭渊源，尤能呈现惠洪的精微文思。

The notes on The Language Chan of Shimen, have reached a high level of literature collation, which is due to Professor Zhou Yukai's understanding of the "deep bone marrow" of the Northern Song Dynasty scholars, Tang and Song poetry and Zen historical facts. This high level is manifested in many aspects, such as a large number of revelations of poetry and prose, the combing and discrimination of historical poems, the summary and introduction of Zen customs, and so on. For example, the disclosure of the meaning of poetry and prose is to apply the critical ideas in Chinese poetry and poetics to the proofreading of specific poems and verses, so that the notes contain rich poetics theory; for example, the use of "this meaning" in the notes points out the inheritance origin of Huihong's poems, especially Huihong's meticulous thoughts.

Author: Ding Shumei

Press: Fudan University Press

Published in June 2021

In the earlyandmiddleofMing Dynasty, under the condition that the folk opera was relatively silent and the literati paid limited attention to the opera, the opera obtained the space to retain the fire in the ruling class. Zhengde and Jiajing are the turning point of the development of Ming Dynasty opera, and it is the period of Ming Dynasty opera from depression to the most wonderful part. However, theShengshi Xinshengand Yongxi Yuefu collected a large number of Yuan and Ming opera songs, Sanqu and even time songs, which can be regarded as a summary of the development of Jiajing opera before Jiajing. From the aspects of music history development and power stratification, opera exhibition and dissemination prohibition, singing book and local social landscape, talented women's culture and self-writing, this book attempts to explore the construction and construction of opera writing activity space since Ming and Qing dynasties, such as opera and power intervention, opera and social strata interaction, opera and local cultural zone transfer, etc., from the perspective of drama science, sociology and communication theory and practice. And the criticism and reflection on the culture of talented women and gender in Ming and Qing dynasties.

Author: [Australia] Written by John Render, Translated by Fu Qilin etc.

Press: Social Science Academic Press

Published in May 2021

This book mainly talks about the contemporary aesthetician Agnes Heller's thinking on aesthetics and modernity. It is an anthology of some works that Agnes Heller has published since the 1990s. This book records 12 articles "artistic self-discipline or the dignity of works of art”, "the influence of emotion on artistic acceptance", "the transformation of joke culture and public domain", "the mainstream narrative of freedom in Europe", "ensuring strangers: Shakespeare and the failure of assimilation". The 12 articles, such as aesthetics and modernization, identity politics, ethics and morality in modern literature and culture, and the position of emotion in artistic acceptance, embody the aesthetic criticism of metaphysical model and establish the aesthetic foundation in the present daily life.